Memórias Póstumas de Brás Cubas (Portuguese Edition)

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Articles

  1. Quincas Bordas (Portuguese Edition) (Clássicos da Língua Portuguesa Livro 7)
  2. Please Lend Windhover Your Support!
  3. Philosophy of Bras Cubas
  4. Usuário Discussão:Auréola/Arquivo de – Wikipédia, a enciclopédia livre
  5. The Posthumous Memoirs of Bras Cubas

Quincas Bordas (Portuguese Edition) (Clássicos da Língua Portuguesa Livro 7)

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South of the Mediterranean, the logs of pros along the anthology make an poor town simplicity. The back of Zawila is in the Sahara in guide not as a living slave for shops. Checks may also be written to "Windhover" and mailed to P. One hundred and sixty bits and pieces of one, perhaps, but how could that possibly flow as strongly and as soothingly as a single entity, one that admittedly breaks off into chapters but ensures that each chapter is a well-rounded stepping stone to the next?

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Instead, we have this book, whose sections sometimes contain no more than a paragraph, a single sentence, even at some point a series of dots or ellipses? How can a story possibly be told in such an erratic and incomprehensible fashion? Through conscientious and deliberate interaction of the author with his audience, who predicts their interests and invites them to go beyond them.

Through knowledgeable understatement, conveying through simple events powerful ideas on life, love, and the death that the author supposedly composes in, without once feeling the need to paint an obvious map for the reader to jerk themselves around on. Through a measured and insightful eye on the actions of the main character, creating a man that dwells on deep thoughts without realization and dismisses them for frivolities and pleasure, yet is incontrovertibly shaped by the powerful undertow.

A man who is both infuriatingly obtuse and startlingly sensitive, capable of both great cruelty and great understanding. A man who lived without effort, and died before making an effort. A man, now dead, writing of a life that he felt was lived without achieving any measure of great suffering, or amount of great joy. Perhaps he never did acquire those things he longed for so long in life.


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  • Memórias Póstumas de Brás Cubas by Machado de Assis.
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  • Download Literatura Memorias Postumas De Bras Cubas Portuguese Edition?

He did, however, find one thing: The character may have never realized the beauty of his thoughts, the wonderful philosophies he drew from a privileged, yet empty living. I believe, however, that the author trusted us enough to discover those for ourselves. However much he played with us during the course of the pages, flattering our sensibilities while baffling our literary conventions, he trusted us to go through his pages and discover something on our own, for our own. That something, however small, is worth everything.

View all 30 comments. Jun 15, Oziel Bispo rated it really liked it. There it stands, deprived of the esteem of the serious and the love of the frivolous, the two main pillars of opinion. So the novel may even be considered as an earthy parable of existence. More modest people will censure me perhaps for this defect.

So my idea had two faces, like a medal, one turned toward the public and the other toward me. On one side philanthropy and profit, on the other a thirst for fame. He is vehicle, passenger, and coachman all at the same time. He is Humanitas itself in a reduced form. It follows from that that there is a need for him to worship himself. View all 4 comments. What is there between life and death? Nevertheless, if I hadn't put this chapter together the reader would have suffered a strong shock, quite harmful to the effect of the book. Jumping from a portrait to an epitaph can be a real and common act.

The reader, however, is only taking refuge in the book to escape life. I'm not saying the thought is mine. I'm saying that there's a grain of truth in it and the form, at least, is picturesque. And, I repeat, it's not mine. The Posthumous What is there between life and death? The Posthumous Memoirs is a strange and original book. It is broken into many little chapters, and speaks with a wry ironic voice which is an ideal for the 21st century, not just the 19th.

He toys with the very idea of what a book is, reminding us of its purpose, as I hope to show with the opening quote, but also in what it does not say. In one chapter about why our narrator did not because a State Minister, there is only empty space, a reflection on failed dreams as well as an invitation to retrace our own missed steps. On top of all this savage commentary and literary experimentation, this is also a very funny book. This recentish GR sensation among my friends—the rest of GR can take a hike failed to please me beyond the p point.

There is something about those ponderous nice-guy narrators who ruminate on the quotidian in occasionally profound ways that seems to set GR aflame. My qualms with the book have been expressed by Nate and Jimmy—simply that once the original-for self-commenting aspect and short-chapter structure is out of the way, the story and its telling are quirky but banal.

Another lov This recentish GR sensation among my friends—the rest of GR can take a hike failed to please me beyond the p point. Another lovestruck oaf waffling about how beautiful his angelic beautiful beauty is in all her gorgeosity, padded with otherwise amusing cerebral digressions and quotable bits, followed by MJ snoozing in his comfy king-size. My sincerest apologies to The Puma. View all 6 comments.

Philosophy of Bras Cubas

How could I not want to read this? First, there is the absolutely gorgeous jacket design, including this painting, Young Man with a Pen by Diego Rivera: Second, Mike Puma recommended this. Mike is the go-to guy for Latin American literature. And then, in an introduction by Bras Cubas , the author announces that he has "adopted the free-form of a Sterne or a Xavier de Maistre" in the writing of these Memoirs. Well, saddle me up and call me Tristram. Machado de Assis has indeed captured Sterne, down t How could I not want to read this? Machado de Assis has indeed captured Sterne, down to the experimental font and digressions.

He talks to the reader about what each is doing. Although, unlike Sterne, who delightfully talks to a female reader, Machado de Assis here chats with "the gentleman reading me. The World just befell him. Bras Cubas, conversely, is amoral, maybe immoral. He was a shitty kid and grew into a rather shitty grown-up. After his treatment of slaves, women in general, and family members, his late life cuckolding of a friend actually serves as his one vulnerable moment.

I would recommend this to readers who liked that Sterne changed things, and want to know how writing changed as a result. Or if you're just wanting to finally read a Brazilian author. I liked this , Mike! The writing was fine, but the effort did not live up to the promise of the book's beauty. Apropos of that nonsensical remark, here is the author's cogitation over a Bibliomaniac: The worst part is the absurdity. The man stays there, hunched over the page, a lens under his right eye, given over completely to the noble and wearing function of deciphering the absurdity.

He's already promised himself to write a brief report in which he will relate the finding of the book and the discovery of the sublimity if there is to be one under that obscure phrase. In the end he discovers nothing and contents himself with ownership. He closes the book, looks at it, looks at it again, goes to the window and holds it up to the sun.

At that moment, passing under the window is a Caesar or a Cromwell on the path to power. He turns his back on him, closes the window, lies down on his hammock, and slowly thumbs through the book, lovingly, wallowing hard. The publishers were meticulous in making it so. How then, I ask no one in particular, is it possible that they allowed no fewer than 50 typos? Something you trip over and immediately right yourself.

Other obvious typos, however, made whole sentences incomprehensible.

PARÓDIA: MEMÓRIAS PÓSTUMAS DE BRÁS CUBAS (cap. 61 a 80)

View all 10 comments. Tengo idea de que a Machado de Assis se le puede enmarcar en dicha corriente, pero no sin especificar que se trata de un representante muy original. La idea de que un muerto escriba libros no era enteramente nueva. Empiezo a arrepentirme de este libro. View all 5 comments. Contudo, pareceu-me esta narrativa menos interessante e a escrita menos "fresca", o que lhe roubou uma estrela. E digo estranhamente porque, em obras doutros autores, foi sempre algo que me incomodou. After the fabulous Dom Casmurro, I had high expectations and I wasn't disappointed.

However, this one seemed to have a less interesting narrative and a less "refreshing" writing.


  • Literatura: Memorias Postumas De Bras Cubas (Portuguese Edition).
  • Memórias Póstumas de Brás Cubas [com índice ativo] (Portuguese Edition).
  • Download Literatura Memorias Postumas De Bras Cubas Portuguese Edition 1881.

Some philosophical considerations became somewhat confusing, or maybe I didn't managed to grasp what the author meant And I confess I didn't quite understand Borba's Humanitism I must register some flavourful paragraphs: Not that it bores me, I have nothing to do and, really, putting together a few meager chapters for that other world is always a task that distracts me from eternity a little.

But the book is tedious, it has the smell of grave about it; it has a certain cadeveric contraction about it, a serious fault, insignificant to boot because the main defect of this book is you, reader. You're in a hurry to grow old and the book moves slowly. You love direct and continuous narration, a regular and fluid style, and this book and my style are like drunkards, they stagger left and right, they walk and stop, mumble, yell, cackle, shake their fists at the sky, stumble, and fall One of the best works of Brazilian Literature.

Immortal, like the author. Narrated in the first person, just at first surprises us when the author morbidly dedicates the book to the first worm biting cold of his body meat. This novel transcends his time and it is discovered in the first chapter that the narrator is dead, as he describes in grayish tones his own funeral procession.

Free from the living condition, the author describes with ironic sarcasm the undressing of the folly and hypocrisy t One of the best works of Brazilian Literature. Free from the living condition, the author describes with ironic sarcasm the undressing of the folly and hypocrisy that populate society. The book remains current, as such elements have not yet been revoked by modernity. Interesting characters are presented by this psychological radiograph of an era: Marcela, Spanish courtesan, youth love, which lasted 15 months and 11 short stories.

Quincas Borba, a mad philosopher, a remarkable figure, who borrows a watch without saying so. After inheriting a fortune, he returns the clock to him but ends his days in complete hallucination. His father who wished to take him to politics, which in fact succeeded him, became a deputy without the least brilliance, sent him to Europe when he learned of the involvement with Marcela and the expenses she was making. He becomes a student who is unfit for studies.

One point of the work was peppered his secret affair was with Virgilia, wife of the friend Lobo Neves.

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His sister Sabina arranges a bride to him, Eulalia, who dies with an epidemic. Uncle John is his favorite, pampers him since he was a child and teaches him anecdotes and malice. Noteworthy is the Chapter XI. The boy is father to the man, who created a true axiom, worthy of theses and literary, philosophical and psychological treatment. It was in the family context that it justified the eccentric adult that would become, finding in the domestic nest the origins of its optics regarding the life.

The reader is invited to judge the events and facts narrated, within an ironic, morbid, lucid and captivating context. A loser, a loser is considered.

The Posthumous Memoirs of Bras Cubas

He tried to create a plaster, as a final work, to relieve the pains of mankind. He dies of contracted pneumonia when he leaves home to patent the invention. The bourgeois suffers countless defeats and troubles in his life, a critique of the ideals of the time that conditioned the vain struggle for success and attachment to appearances. In his final reflection, full of irony, he states that his greatest glory was not having children and not having transmitted to no creature the legacy of his misery. Far from being depressing, to everything it suggests, the work shows a refined and refined humor, leading the reader to reflections that can teach him to value his own life.

Aug 03, K. I am no expert in literature and only started reading "serious" fiction works a couple of years back in my quest to read all those works included in Books You Must Read Before You Die by Dr. Therefore, at first, I did not know how to react to this kind of literary work. Some say it is a novel but the author, the Brazilian Joaquim Maria Machado de Assis says that is is a memoir.

However, a memoir is supposed to be fiction. But how could this be ficti Strangely fascinating. But how could this be fiction if it was written by the protagonist, the Brazilian rich and indolent Bras Cubas after his death? Dead people cannot write a novel unless they can talk to a writer who will, in trance, tinker what they say on his keyboard for many, many creepy nights.

De Assis made use of a dead narrator, Bras Cubas, so that he De Assis will have a freedom to say what he wants to say, free from the responsibilities of the living. Death offers him the indolence of eternity p. Oh, how people can shake off their coverings, leave their spangles in the gutter, unbutton themselves, undecorate themselves, confess flatly what they were and what they've stopped being!

Because, in short, there aren't anymore neighbors or friends or enemies or acquintances or strangers. There's no more audience. The gaze of public opinions, that sharp and judgmental gaze, losses its virtue the moment we tread the territory of death. I'm not saying that it doesn't reach here and examine and judge us, but we don't care about the examination or judgment. My dear living gentlemen and ladies, there's nothing as incommensurable as the disdain of the deceased. This however, is not an original idea.

De Assis himself admitted that this style of freewheeling narrative was inspired by Laurence Sterne particularly the latter's The Life and Opinions of Tristam Shandy. This was during the middle 19th century when Brazil veered away from Portugal that was their main ally and greatly influenced their country prior to its opening to European countries.

The setting is in Rio de Janeiro, during that period, i. He started to tell his tale from childhood, through his series of failed love affairs, his attempt to become a politician, etc up to his eventual death. The book is divided into several short erratic chapters shifting in tone and style. The scene is after the death of Bras Cubas's mother and he was visited by a black butterfly. Bras is not superstitious so he strikes the poor butterfly with a towel while on top of his father's portrait with a towel. In the Philippines, we all believe that a butterfly or even a dragonfly, in whatever color, appearing after the death of a loved one is actually the soul of that person.

I remember that a brown dragonfly stayed on the windshield of my car few days after the death of my father in September That dragonfly stayed there on top of my sideview mirror while I was traversing the lenght of the South Expressway SLEX not minding the strong wind and dusts. The unique use of erratic chapters shifting in tone and style in this realist novel that also uses surreal devices of metaphor and playful narrative construction source: Wiki , at times can also be confusing.

And they do fall! Miserable leaves of cypress of death, you shall fall like any others, beautiful and brilliant as you are. And, if I had eyes, I would shed a nostalgic tear for you. This is the great adventure of death, which if it leaves no mouth with which to laugh, neither does it leave eyes with which to weep You shall fail" If you don't find those lines strangely fascinating, I don't know what lines in any other book would have that impact to you.

My edition of this book was published by The Library of Latin America. Their series of books makes available in translation major nineteen-century authors whose work has been neglected in the English-speaking world. Saludos, Senor De Assis! View all 7 comments.